Sahapedia backs efforts to raise Rs 20 lakh on BitGiving for Nepathya centre for Koodiyattam in Kerala
A crowdfunding campaign has been launched to help protect one of the world’s oldest known theatre art forms from dying out for want of patronage and interest in the modern world.
The Nepathya Centre for Koodiyattam in Kerala is being supported by Sahapedia, the online encyclopedia of Indian arts and culture, in its goal to raise Rs 20 lakh via the crowdfunding platform BitGiving (https://www.bitgiving.com/nepathya), to train a new generation of artists in what constitutes the only surviving form of ancient Sanskrit theatre in the world.
Koodiyattam, a performance art that draws on the plays of Sanskrit dramatists of antiquity, is believed to have followed an unbroken tradition for more than 1,000 years in the state of Kerala. A highly stylized art form, Koodiyattam (Kutiyattam) evolved its unique theatre grammar over centuries with its own complex conventions, gestures and expressions, which require many years of arduous training to master.
Once limited to temples, Koodiyattam emerged on to performance stages and international audiences in the 1950s, thanks to the efforts of celebrated gurus such as Mani Madhava Chakyar, Painkulam Rama Chakyar and Ammannur Madhava Chakyar.
Today there are only around 50 practitioners of this art form and institutions such as Kalamandalam, Margi and Ammannur Gurukulam in Kerala impart training in Koodiyattam.
Nepathya, a school based in Moozhikulam in Thrissur district, is focused exclusively on Koodiyattam and is trying to preserve the most difficult of its traditional repertoires which need more time to master and which are not as popular as others because of their scholarly content. A not-for-profit institution, it was started 15 years ago to train a new generation of actors exclusively in Kutiyattam.
Nepathya’s founder and guru Margi Madhu says the lack of public awareness is one of the reasons for poor financial support and dearth of young artists keen to learn. The crowdfunding drive is also doubling up as an awareness campaign.
“Nepathya has been struggling to raise funds for the past 12 years,” he says. “Currently, we are at risk of losing our trained artists. Training a new student takes almost a decade and each time an artist leaves, we go back to square one. We only have three senior students (and two young ones) and four drummers left because of lack of funding.”
These senior students — Rahul Gopinath, Yadhukrishnan K R and Vishnuprasad K R — aged around 20, have been training at Nepathya since the age of seven. They have undergone the preliminary stages of training and are now ready for the rigours of the more scholarly repertoires.
Margi Madhu says the funds raised on BitGiving will support the training of the three in Anguliyankam, the sixth act of the play 9th Century play Ascharyachudamani (The Wondrous Crest Jewel) by Saktibhadra.
It is an extremely difficult sequence to learn, needing up to three years of comprehensive study of the manuscripts, choreographic texts, and acting principles; and takes a full month perform on stage. There are only three or four artists in the Koodiyattam today who can perform it in its entirety and only one or two artists who know its drumming patterns.
Nepathya will use the funds to enable its student artists and drummers to dedicate more of their time and efforts to learning.
Rahul, Yadhukrishnan and Vishnugopal are about to graduate from engineering colleges and under pressure to take up full-time jobs to earn a living. Margi Madhu says their families are supportive, but Koodiyattam will not sustain them unless it finds both aficionados and patronage.
“The real depth of the art lies in its ability to elevate the minds of the viewers. To do that the artists themselves have to experience the pleasure of the art, and explore the depths of the performances,” he adds. “They cannot do so if they are burdened by the prospect of looking for paying jobs, which is why we need funds to support them.”
UNESCO has declared Koodiyattam as a ‘Masterpiece of the Oral and Intangible Heritage of Humanity’.
“It would be a tragedy and a shame if an art form that has survived for a thousand years dies on our watch,” says Dr. Sudha Gopalakrishnan, the Executive Director of Sahapedia, “We are wholly behind Nepathya’s efforts to save and popularize this ancient art. Koodiyattam is intimately connected to the cultural history of Kerala and the great traditions of Sanskrit literature, we have to preserve it whichever way we can. Supporting Nepathya is one step in that direction for all of us.”
The architect of the crowdfunding campaign, Neha Paliwal, Sahapedia’s Director, Projects says the campaign, which was launched on at the end of July and will run for two months, has so far raised Rs 1.02 lakh from ten patrons. “Such campaigns offer platforms for public participation in culture conservation efforts. It will also, hopefully, enable more people to see the beauty and value of art forms such as Koodiyattam that have historically been accessible to smaller communities.”